Did Hong Kong’s art scene survive the pandemic? Small gallery curators weigh in on weathering quarantine restrictions and a world without international collectors
- With no international collectors in town, the city’s independent galleries have embraced NFTs and digital platforms, and refocused efforts on catering to local audiences
- Gallery directors from Axel Vervoordt, Ora-Ora, 3812, JPS, Woaw and the Hong Kong Art Gallery Association talk about how they adapted to survive
Businesses in Hong Kong have faced recent challenges ranging from protests to the pandemic. Art galleries in particular have felt the impact, yet have adapted to survive.
“The city lockdown prevented overseas collectors from visiting Hong Kong, whilst social instability also affected local collectors and had an impact business operations,” said Calvin Hui, co-founder of 3812 Gallery.
Perhaps it has hit Hong Kong a little harder, as we are inherently a gateway between China and the world
For a commodity like art, not being able to appreciate it in person makes some collectors more hesitant.
“Although technology advancements allow clients worldwide to participate in exhibitions virtually, some still prefer to experience the artworks physically before purchasing,” said Tim Yu, founder and director of JPS Gallery.
It has been difficult for galleries to participate in art fairs elsewhere too. “Rather like the tea traders of the old times, we go where our business takes us. Not being able to travel has imposed some limitations on us and the scale of international projects,” said Henrietta Tsui-Leung, the founder of Ora-Ora gallery.
