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The rise and fall of Hong Kong showbiz ... and how fans still hold on to stars of yesteryear

  • From Canto-pop’s birth to the ‘Heavenly Kings’ and a shift to mainland productions and K-pop, the city’s showbiz scene has ups and downs to rival its colourful history

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The newly opened Avenue of Stars in Tsim Sha Tsui, a tribute to Hong Kong’s entertainment industry which set the standard for Asia in the 1970s to ’90s. Photo: Dickson Lee

The meteoric rise of Hong Kong’s entertainment industry took place in the 1970s to ’80s, propelled by the city’s rapid economic growth. Facing prosperity but an uncertain political identity, the booming sector morphed into a defining cultural force, shaping the identity of millions of Hongkongers.

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At its zenith, Hong Kong stars were household names among the Chinese community worldwide, a source of pride for the city. In the past decade, however, with fans’ attention turning to K-pop and local artistes taking their acts to the more lucrative mainland market, some of this lustre has been lost, and with it, an important element of what it means to be a Hongkonger.

This week, City Weekend looks at the rise and fall of the entertainment scene and the fortunes of pop idols in Hong Kong during those glory years when the industry was dubbed the “Hollywood of the East”.

Hong Kong’s “Four Heavenly Kings” (from left) Leon Lai, Jacky Cheung, Aaron Kwok and Andy Lau in 1998. Photo: Winnie Chung
Hong Kong’s “Four Heavenly Kings” (from left) Leon Lai, Jacky Cheung, Aaron Kwok and Andy Lau in 1998. Photo: Winnie Chung

How did Hong Kong enter its golden era of showbiz?

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In the 1980s and ’90s, Hong Kong’s film industry was the third-largest in the world after Bollywood and Hollywood. By then, names such as Jackie Chan, Bruce Lee and filmmaker Wong Kar-wai had gained international stardom.

Hong Kong singer Sam Hui was one of the pioneers of Canto-pop.
Hong Kong singer Sam Hui was one of the pioneers of Canto-pop.
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