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Inside the history between crown jewels and luxury brands: Queen Elizabeth and Princess Diana inspired Garrard, Cartier was a go-to for Indian royalty and Boucheron paid homage to Maharaja of Patiala

The Joséphine Aigrette Impériale tiara. Photo: Chaumet
The Joséphine Aigrette Impériale tiara. Photo: Chaumet

  • British jeweller Garrard uses a Windsor motif inspired by the Girls of Great Britain and Ireland tiara and has worked with the 530.20-carat Cullinan I, the world’s largest cut and colourless diamond
  • Chaumet’s muse, Empress Joséphine of France, loved tiaras and the brand released its Ondes et Merveilles 2022 collection featuring the Chant de Sirènes necklace

Crown jewels are the pinnacle of craftsmanship and the maisons lucky enough to be commissioned to create new wonders delve deep into their archives for sufficiently glorious inspiration.

“The Windsor motif is a repeated pattern of round and geometric diamonds, which is seen in several of our signature collections, including Albemarle and Fanfare,” said Sara Prentice, creative director of Garrard. The motif, she added, was inspired by the Girls of Great Britain and Ireland tiara, one of the most recognisable royal tiaras in the world. Its base features a bandeau with a distinctive round and lozenge-shaped pattern of diamonds – the inspiration behind Garrard’s unmistakable Windsor motif.
A green sapphire, green tourmaline, tsavorite and chrysoprase cocktail ring in 18-carat yellow gold from Garrard’s Blaze collection. Photo: Garrard
A green sapphire, green tourmaline, tsavorite and chrysoprase cocktail ring in 18-carat yellow gold from Garrard’s Blaze collection. Photo: Garrard
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The Sovereign motif is seen in the Aloria, Regal Cascade and Fanfare collections as well as one-of-a-kind high jewellery pieces. “The inspiration for the Sovereign motif draws on the historic setting of the most precious stone in history. In 1910, Garrard crafted an ornate enamel and gold setting to hold the 530.20-carat Cullinan I, the largest cut and colourless diamond in the world,” Prentice said.
The jeweller’s penchant for the past is clear: the new Blaze fine jewellery line is based on their 1735 collection, itself inspired by Princess Diana’s engagement ring.
A preparatory sketch for a bandeau tiara adorned with a pear-shaped emerald, circa. 1915. Photo: Chaumet
A preparatory sketch for a bandeau tiara adorned with a pear-shaped emerald, circa. 1915. Photo: Chaumet
Family-owned Boodles, founded in 1798, also digs deep for inspiration. The Peace of Mined collection tracks the provenance of the Cullinan I and II – the Greater and Lesser Stars of Africa, both of which are now among the Crown Jewels – all the way to the famed Cullinan Mine in South Africa. The British jeweller drew inspiration from the geometry of the Crown Jewels, honouring the link between Queen Elizabeth and the Cullinan Mine.

Chaumet’s beloved muse, Empress Joséphine of France, was known for her love of tiaras. Two centuries later, the maison brought out a collection dedicated to the empress. New pear-shaped horological interpretations and high jewellery sparklers set with pear-cut gems pay tribute to her favourite shape. The Déferlante high jewellery collection includes a necklace with a central pear-cut diamond of 3.57 carats. Similarly, the Ondes et Merveilles collection, unveiled by Chaumet in summer, features the Chant de Sirènes necklace, ring and earrings realised with pearls, diamonds and tourmaline, celebrating the empress’ fascination with pearls.

Boucheron’s creative director Claire Choisne pored over the 149 historic references and sketches to pay homage to the Maharaja of Patiala, Bhupinder Singh. In 1928, he arrived at Boucheron with 40 members of his staff, and iron safes containing diamonds, rubies, emeralds and pearls. Spurred by the drive to discover new design possibilities, Choisne pays homage to this royal treasure with the New Maharajahs collection.