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Postcard from Toronto

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Benedict Cumberbatch plays Alan Turing in The Imitation Game. Photo: AP

Many past winners of the Toronto International Film Festival's People's Choice Award have gone on to Academy Award glory - think last year's and 2012's - so Oscar watchers will have taken note of Morten Tyldum's , the audience favourite at North America's largest film festival this year.

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Starring Benedict Cumberbatch as British code-breaker Alan Turing, the biographical drama-thriller proved illuminating in its depiction of the real-life hero who made a huge contribution in the Allied defeat of Germany during the second world war. A nerd and misfit with a condition bordering on Asperger's, Turing (who was also gay) nonetheless was dogged in his quest to build a machine which could intercept the intricate codes set up by the Nazis.

If there were a prize for most popular actor, Bill Murray would have won it. Instead, the festival expressed its love by hosting a Bill Murray Day which coincided with the world premiere in Toronto of his latest movie. Comedy never rates in the Oscars - and only came third in Toronto's audience awards - but Theodore Melfi's film has a role that fits Murray like a glove: he plays a curmudgeonly loner who is forced by his neighbour (Melissa McCarthy) to babysit her undersized 12-year-old son (Jaeden Lieberher) after school.

Naomi Watts - who also tickled the funny bone in Noah Baumbach's - is hilarious as a pregnant Russian prostitute, and this odd group forms a dysfunctional family in what turns into a heartwarming, funny yarn.

The commercial hit of the festival was also a comedy - and Chris Rock could hardly believe his lucky stars that his third feature as a writer-director, , sold to Paramount Pictures for US$12.5 million for worldwide rights after a fierce bidding war. Made for little more than US$10 million, the movie stars Rock as a comedian whose reality TV star fiancée talks him into broadcasting their wedding on her show.

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Mainland director Ning Hao admitted he brought his new comedy to Toronto rather than the Venice festival because the TIFF was a better marketplace to launch his highly commercial film. The story of a man reeling from his divorce and travelling across China reflects the experience of Xu Zheng, his collaborator and close friend who wrote the screenplay.

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